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菲西莉娅首先下了车动作优雅并且游刃有余俨然是一个经常出席这种场景的大小姐不过我想确实也应该是我随着菲西莉娅的后面下了车然后反过身拉起橘子的手帮他从不是很宽的门中钻了...果然就是鲁格兰斯这一只伪娘……鲁格兰斯穿着一套华丽的欧洲古典礼服优雅的站在我的身后蓝色狭长漂亮的眼睛正不断的在我们身上扫射着不一会儿就露出了赞赏... 详情
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黄小靖
Shoot down the baddies, strike a pose, get rich! The 2nd movie of the Dollars trilogy could be satirized in these terms, but how unfair would that be? You don’t watch Sergio Leone for deep philosophical insights, but for his filmmaking. For Ennio Morricone’s splendid scores too: he knows when to go silent, how to creep you out with dissonant strings, when to get synchronized and punctuate iconic gestures. He can charm with a chime, and soar into epicness or poise for a showdown. An interesting relationship between the two MC and internal conflicts among conspirators also make for a good story. But it's Maria Volonte as an eerie, brutal, cunning and even sensual villain who shines most.
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